Showing posts with label medieval studies. Show all posts
Showing posts with label medieval studies. Show all posts

Friday, May 22, 2015

Kalamazoo 2015 Round-up!

I know I’ve said it before, but I’ve really come to see my (usually) annual journey The International Congress on Medieval Studies as a kind of pilgrimage, and this particular journey to K’zoo was no exception. Traveling here had its salient differences though. I left my baby (called Pixie here and elsewhere online as a form of protection and, well, because she looks like a little woodland sprite!) at home for the first time since she was born, and I also departed while in the midst of a teaching quarter (as opposed to being at the end of a semester). Both were deeply disconcerting, to say the least!

The leaving part was hard, harder than I’d anticipated (though, I’ll admit, watching Interstellar on the flight to Detroit was an apt exercise in perspective), and there were moments on the trip that were even harder. To that end, here is a hard-won tip for fellow new(ish) parents: if you have to travel away from your little, and he/she is under 13 months, approach Skype/FaceTime with deep wells of caution. My husband set up his phone so she and I could see each other that first night, and as soon as she heard my voice she looked around at the front door expecting me to be there (cue the shattering heart). She then turned her head around, saw mom in the tiny box, stuck out a trembling lower lip, and started to wail. Fortunately, I happened to be at Bells with dear friends and a beer flight waiting for me back at the table. Robbie, sweet spouse that he is, also sent me a video of a smiling and giggling Pixie (taken moments after we signed off and she calmed down), that helped me even more. He sent me pictures just about every day along with updates, and – truth be told – I found myself so happily surrounded by friends and colleagues, and so busy and energized by all the things I needed and wanted to do, that my time away was easier to manage than I had thought it would be. Oh, and I’d be remiss if I didn’t thank the Society for Medieval Feminist Scholarship, the Medieval Institute, and the conference organizers for how skillfully they set up and advertised the nursing/lactation rooms. As a nursing mother traveling without my babe, these were crucial to my being able to participate in the conference as fully as possible (without them I would have had to head back to the hotel several times and miss out on much of the conference in the process). I found myself very comforted by their presence and by how easy they were to access throughout the day.

I attended a number of truly innervating sessions, but there were a few that especially stuck with me. The first was the panel honoring the twenty-fifth anniversary of Carolyn Dinshaw’s Chaucer’s Sexual Poetics. Having come up in Academia long after the book’s publication, I was grateful for the reminders of the book’s seminal importance and how much of a productive disruptor it was when it first came out. Steve Kruger reminded us of how the book “challenged dominate masculinist readings” and how it challenged us “to ask different questions about medieval and modern reading practices.” Emma Solberg echoed this sentiment as well by pointing out that the book proffers “liberating, energizing, and empowering readings” that weren’t considered possible/feasible/acceptable at the time, and how Dinshaw, in the book, “seized permission and authority” to do so.  To her (and I agree with her wholly), the book acts like a kind of Griselda in the ways it exposes patriarchal chauvinism. Lynn Shutters, in turn, talked both about the book’s importance and Dinshaw’s ability to find the utility in “necessary discomfort” and “a lack of resolution.” By way of example, she explained how the final chapter of Dinshaw's dissertation, which she wasn’t entirely satisfied with at the time, contained the raw material that would later become Chaucer’s Sexual Poetics. In turn, the ideas in the final chapter of that very book — “Eunuch Hermenutics” — would be explored and teased out even further in Getting Medieval. On hearing Shutters talk about the evolution of Dinshaw's work, I took solace in the reminder that discomfort with your work can, if you let it, be a productive and motivating force.  It’s a reminder I very much needed since I've found myself more than a bit overwhelmed of late with my own book project. 

These responses to Dinshaw’s work were truly compelling, and I found myself equally compelled by her response, where she revealed that – while this book did eventually get her tenure -- she was initially turned down for tenure (a decision that was ultimately overturned by the deans) because of the book and the way in which it threatened the endemic chauvinism of the academy. I’ve always admired her work for its boldness and its ingenuity, and I was reminded – especially as she told her story -- of how indebted I am to her and to others like her for creating room for younger scholars like me to breathe and thrive. It is no exaggeration to say that I would not be able to do the kind of work that I do had it not been for her willingness –- and the willingness of others –- to publish bold and brave works that argued passionately (either implicitly and explicitly) for the power and importance of reflexive analysis. I came away from the session very grateful for her work and for the reminders of its importance provided by each of the speakers.

And I left another session, on being a Public Medievalist, equally innervated. Having been invited to write a brief write-up on my experience as a type of public medievalist (soon to appear on postmedieval’s Forum), I attended the session quite eagerly, and I found myself particularly compelled by the conversations and ideas that emerged throughout the talks and Q&A, especially those surrounding the talk that David Perry gave. He offered insights into the complications of being both a journalist/public writer and an academic, especially when one’s worlds converge (i.e. when, as a crusade’s scholar, you write an 800 word op-ed on a crusades-related topic to a popular audience, knowing you’ll provoke the ire of both scholars and non-specialists). He also spoke compellingly about the risks and perils of going public, and now we – as a community – need to be more humane, more aware of the potential effects our written words can have on social media. He reminded us that a single tweet about a young scholar’s “boring” presentation can and, in this day and age, likely will have an negative impact on his/her career, and he ended his talk with the following recommendation: “If you can’t tweet something nice, don’t tweet it at all.”

I really appreciated his talk, since it helped me to tease out some of the issues and frustrations I’ve had with how I’ve been approaching my own blogging. I know for a fact that I spend more time than I should on each blog post I submit here at In Romaunce. I want to write more frequently and to be bolder, but I also feel immense pressure to watch what I say out here in the blogosphere and in social media. I feel palpably in these spaces how very precarious I am at this point in my career, and this results in my feeling more than a little hesitant about what I say and how I say it. This is why, for instance, it took me well over a week to muster up the courage to post my thoughts on Obama’s prayer breakfast. I’m ultimately glad I wrote what I did, but I’ve wished for sometime now that I could find a way to be braver more frequently (and more swiftly). Attending the session and chatting with him and fellow attendees afterwards, however, reminded me that my cautiousness might not be a bad thing at all. I might not produce as much as I’d like, but at this point in my career, a little extra caution probably can’t hurt. 

This year's K'zoo also marked the last time I served as the organizer and presider over Malory Aloud/Performing Malory. I inherited these roles somewhat by accident, but I couldn't be more grateful for having had the opportunity to lead this group for the past eight years. In addition to each performance session being a rollicking good time, the process of rereading significant portions of Malory's Morte each year has been deeply enriching, especially when I needed to track certain themes or characters. Last year, for instance, we hosted a performance entitled "Malory Interruptus: Sex and Love in the Morte." In addition to (re)discovering that Perceval nearly boinks Satan while on the Grail Quest (!!!!!!!!), I noticed how consistently fraught sexual encounters are in the Morte, and how the problematics of sex are often tangled up with the non-procreative nature of these same encounters. I wouldn't have arrived at that idea, or others, were it not for my work on these sessions, and I remain truly grateful for having been able to take the helm for so long as a result. Also, and just as importantly, I had the privilege to get to know an array of truly lovely and inspirational scholars along the way, and I remain so excited to see what the merry troupe will continue to do in the years to come!

I’ll save my own session for a separate post, but for now, I want to end with a few parting thoughts on conviviality, community, and affect. Though I was (sadly) unable to attend Richard Utz’s plenary, I heard much about it from friends who did, and I was deeply appreciative not only of his discussion of affect (and how we need to dismantle notions that work and pleasure need necessarily be mutually exclusive). I was also glad that BABEL was acknowledged, because I’ve grown very deeply fond of the organization since graduating from Rochester. I am currently very fortunate in my postdoctoral position, but the job search last year showed me how difficult and uncertain my road ahead will be. I know that I might not have a professional future in academia once all is said and done. But I do know that I will always be a medievalist one way or another. I know this because I love the material deeply. But I also know this because of BABEL’s willingness – even insistence – on including non-traditional scholars in its mix. Knowing that I will always genuinely be welcome at their gatherings, that I won’t be looked at askance, is truly comforting to me. It gives me courage, especially as I steel myself for the upcoming job search this Fall. 


In the end, I left this conference with a full head and heart. I wished I’d had more time to connect with even more people than I did, but was so grateful for the deep and fruitful conversations I was fortunate enough to have with so many of you. As many have said on social media already (and as, for example, Elaine Treharne’s recent #GenderImbalance tweets reveal) we have quite a ways to go in how we treat one another, but I was encouraged all the same to see so many of us working towards positive changes at this gathering. Onwards!

Monday, May 5, 2014

It's the Most Wonderful Time of the Year: Kalamazoo 2014

As I get ready to depart for the 49th International Congress on Medieval Studies in Kalamazoo, Michigan, I thought I would post about the many things that I and my co-blogger Kate are up to. Unfortunately, Kate isn't able to make it this year, but she still has put in lots of work organizing things, and I am presenting and performing and presiding as well. So, here are the panels featuring Kate and me:

1. Friday at  7:30 p.m. (Valley III, Stinson Lounge) will be the always-fun Malory Aloud readers' theater. The theme this year is "Malory Interruptus: Sex and Love in the Mort." 

Kate has chosen and casted some really fun scenes from Malory, and, since she can't be at the conference, my colleague Kara McShane and I are taking the helm. It should be a lot of fun!

Malory Interruptus: Sex and Love in the Mort.
Organizer: Leila K. Norako, Notre Dame de Namur Univ.
Presider: Leila K. Norako 
A readers’ theater performance with Stephen Atkinson, Park Univ.; Alison Baker, California State Polytechnic Univ.–Pomona; Laura K. Bedwell, Univ. of Mary Hardin-Baylor; Kristi J. Castleberry, Univ. of Rochester; Kimberly Jack, Auburn Univ.; Timothy R. Jordan, Zane State College; Kara L. McShane, Univ. of Rochester; John Lowell Leland, Salem International Univ.; Bernard Lewis, Murray State Univ.; Meredith Reynolds, Francis Marion Univ.; Rebecca Proud, Clermont College, Univ. of Cincinnati; Sebastian Rider-Bezerra, Aberystwith Univ.; Kendra Smith, Univ. of California–Davis; Padmini Sukumaran, St. John’s Univ., New York; and Paul R. Thomas, Brigham Young Univ./Chaucer Studio.

2. Saturday at 1:30 (Session 429 in Bernhard 204), Kara and I are also presiding over a panel on "Animals in Arthuriana." We're exciting about the range of interesting papers we've collected.

Animals in Arthuriana
Sponsor: Rossell Hope Robbins Library, Univ. of Rochester
Organizer: Kristi J. Castleberry, Univ. of Rochester, and Kara L. McShane, Univ. of Rochester
Presider: Kristi J. Castleberry and Kara L. McShane

The Monstrosity of Sin and the Prose Merlin’s Demon Cat
        Sharon Rhodes, Univ. of Rochester
Tristan and Medieval Hunting Manuals
        Emily R. Huber, Franklin & Marshall College
Shoulders Like an Ox, or, Smiling Like a Tiger? Arthurian Animal Identities in Terry Pratchett’s Albion
        Kristin Noone, Univ. of California–Riverside

3. And, lastly, on Saturday at 3:30 (Session 446 in Fetzer 1005) I will be presenting on BABEL's roundtable, "What a World!" Kate pulled together the papers for this one on the theme of worldbuilding, and she will be skyping in. I am sure it will lead to some great discussion.

What a World! (A Roundtable)
Sponsor: BABEL Working Group
Organizer: Eileen A. Joy, BABEL Working Group
Presider: Leila K. Norako, Notre Dame de Namur Univ.

An English Hero, a Barbarian Kingdom: The Colonialist Impulse in Chivalric and Ruritanian Romances
        Andrea Lankin, St. Joseph’s Univ.
The Once and Future Herod: Vernacular Typology and the Worlds of English Cycle Drama
        Chris Taylor, Univ. of Texas–Austin
England Is the World and the World Is England
        Asa Simon Mittman, California State Univ.–Chico
England by Any Other Name: Nominal Topographies in The Tale of Albin
        Kristi J. Castleberry, Univ. of Rochester
A World without War: Chaucer and the Politics of Unconditional Friendship
        Paul Megna, Univ. of California–Santa Barbara
Imagining Medieval Futures
        Suzanne Conklin Akbari, Univ. of Toronto
Engineering Beowulf: Multi-media and Multi-modal Medievalism
        Valerie B. Johnson, Georgia Institute of Technology

Thursday, June 27, 2013

What a World!: Or, an invitation to BABEL along with me at K'zoo 2014

Good news! My proposed session, sponsored by the BABEL working group, has been given the green light for Congress next year. It springs in equal parts out of work on my book and from a lively conversation at Bell's brewery at this year's gathering in sunny Kalamazoo. The fine details: it will be a roundtable, hopefully comprised of seven participants. We're encouraging papers that veer towards the experimental, the playful, even the avant-garde, but given the wideness of the topic, there's plenty of room in which to maneuver and plenty of space for a variety of approaches; multimedia presentations are greatly encouraged.


Title: What a World! (A Roundtable)

Description:

“Oh what a world, what a world! Who would have thought a good little girl like you could destroy my beautiful wickedness?!” So screams the Wicked Witch of the West after Dorothy splashes water on her in the film The Wizard of Oz. The entire film reflects upon matters of perspective and thwarted/exceeded expectations, of not quite believing your eyes or trusting what you see, of creating contexts for experiences you never could have anticipated. The witch melts, in the end, because of her failure to imagine a world in which both she Dorothy could exist. While the gist of this line accords with the final words the Witch speaks in the book version, the phrase “What a World!” (original to the film) encourages meta-commentary. We are called, as viewers and as readers, to wonder along with the witch how this world — and such a vivid one at that — could have been engendered. In this sense, the phrase “What a World!” becomes as much an invitation to engage critically as it becomes a statement of wonder.


The issues inherent in fictionalized worlds, so beautifully encapsulated in this scene from The Wizard of Oz film, have much to offer studies of medieval literature. This session invites papers that consider all aspects of engendered worlds, but is especially invested in exploring how contemporary notions of “worldbuilding” — so often associated with high fantasy and science fiction— as well as Heiddeger’s “worlding” (in all its various theoretical manifestations and adaptations) can be appropriated to discuss the creation of fictive worlds in medieval literature. The session seeks to explore worlds built through varying states of incredulity, wonder, a desire to control and contextualize, or even built out of nostalgia and/or a desire to escape (however briefly) one’s own circumstances — from the translocated Holy Land of the mystery cycle plays, to the worlds encountered through chronicles, histories, and travel narratives, to the landscapes and cultures of Arthurian romance. How might the concept of “worldbuilding” invite fresh considerations and interrogations of medieval literature? How does it simultaneously reflect the desires authors have to create something new even as they (or their texts) admit the impossibilities of such projects? To what extent do engendered worlds allow and invite contemplation upon the many ways in which humans, as readers and receivers of texts, ineffably participate in this process of creation?

Thursday, June 6, 2013

Kalamazoo 2013: A Pilgrimage

I wrote most of this from about 36,000 feet above Newfoundland – a fitting starting point, I think, since I was returning to the U.S. from Norway by way of Iceland (after attending a conference on medieval Scandinavian literature, no less).

I had a long a fruitful journey during the month of May, and I’ll try to do some of it justice over the course of a few posts. These posts are a bit delayed because I came back from Norway with a fever and raging laryngitis and have spent the better part of the past week recouping! I’m doing much better now though, and will be loading several posts throughout the next week or so now that I'm capable of lucid thought. This first one will focus on Kalamazoo, which was certainly the busiest Congress I’ve ever attended. I presided twice, organized and participated in a performance session, and presented a paper on Pearl. There were lunches, dinners, and outings aplenty, and it couldn’t have come at a better time.

I’d been feeling severely run down prior to the trip. The lack of full-time work has been stressful, especially since my husband’s start-up had to let him go earlier this year, and there were a series of personal tragedies right around that time that made life painfully confusing and heart-breaking. Whenever tragedy has truck in the past, I’ve looked to my work to feel some sense of purpose or control, but the screeds against graduate school, the humanities, etc., the rise of MOOCS and for-profit institutions (and attitudes), and the at times oppressive amount of uncertainty surrounding my own future really dampened my ability to feel and hold onto a sense of purposefulness. As a result, I came to Kalamazoo feeling more than a little beaten down and adrift. More and more though, I’ve come to see the journey to Congress, and the experience of it, as a sort of pilgrimage. One that comes just at the right time — just as I’m starting to lose my sense of why I do what I do. I am so profoundly glad that I made the journey this time, because it renewed more of my enthusiasm and my sense of purpose than I’d ever hoped to win back in such a short span of time.

For starters, this was a ‘zoo of serendipitous encounters. I’d been so busy (between the end of the semester hustle, visiting family, and prepping for two conferences) that I’d only made contact with just a few of the people I’d hoped to see at this conference. Somehow though, I happened to be at the right places at the right times, because I managed to bump into just about everyone! The conversations may have only lasted a couple of minutes in some cases, but it meant the world to see familiar faces from grad school and past conferences and at least get a brief moment to reconnect.

The serendipity also extended into new meetings as well. Thanks to a chance encounter at one of many dinners out, I received sage advice about approaching publishers about my book project. Inspired, I spent time Saturday and Sunday chatting with publishers and had several encouraging conversations along the way. While there aren’t any guarantees, I’ve got a clear sense now of who to send materials to once I’ve got them completed, and that’s a great place to be (especially after having felt so stagnant for the past couple of months). I also had an absolutely marvelous time at the BABEL meet-up at Bell’s Brewery. I joined the working group in the Fall of last year because I’ve enjoyed following the playful, experimental, but always meaningful work that BABLErs produce. I also joined because I’d been feeling adrift since moving away from my tightknit community at Rochester last year, and joining an energetic cohort like this one seemed like a wise move as I transition into this new and liminal stage of academic life.  My schedule at the Congress had kept me away from the meeting and the sponsored sessions thus far (alas!), and so I felt all the more drawn to the gathering in spite of the late hour (I think I got there around 11:30pm after having gone over my paper which I was presenting the following morning). An array of wonderful exchanges ensued, and a nascent project even emerged by way of a conversation about bears, idiot tourists, and lava. I’ll keep things cryptic for now, but I’ll hopefully be able to post more about said project in the near future. In the meantime, I’m struck with a profound sense of gratitude for all of the people I met and reconnected with at this conference. Their generosity — in their advice, their sharing of ideas, their collaborative spirit — overwhelmed me in the best sense of the word, and I’m deeply grateful for the renewed energy and enthusiasm they helped instill in me in such a short span of time.

The sessions I attended also went a long way towards renewing my enthusiasm. It’s always a delight to be surrounded by people as vibrantly excited as you are about a particular topic, and that enthusiasm really shone in the sessions I was able to attend and in which I had the pleasure of participating. The first one I attended was “Romancing Islam,” and I was deeply impressed with Bonnie Erwin’s masterful connection between the mechanics of othering in Ferumbras and in the aftermath of the Boston Marathon bombing: a connection that hinges on the desire for the familiar Other (in both cases, a Muslim Other by way of convenient branding). I was also very glad to see an Early Modernist on the panel. Dennis Britton spoke on the allegorizing of Islam in the Faerie Queene, and made a compelling case for the influence of contemporary proto-ethnograpic writings on Spenser’s portrayal of the (Islamicized) figures Wrath and Lust. He also convincingly argued that moments of conversion in Book II (where these figures regularly appear) are not only absent but “actively denied.” In this formulation, the Saracens are made to be incompatible in ways strikingly convergent with those seen in medieval romance. His presence on the panel and the inclusion of Spenser alongside medieval texts invited both the speakers and the audience in the Q&A session to get out from under the pressures of periodization and to talk across the (often fictionalized) divide between the Medieval and Early Modern periods. I joked on Twitter earlier in the year about creating an anti-Greenblatt panel for K’zoo called “Interswervist Aesthetics,” but it was lovely to see much of what The Swerve seems to advocate effortlessly elided in the conversations that came out of this session.

The same kind of connectivity seen in this session extended into the one over which I was delighted to preside. The papers knitted together incredibly well, and I was thrilled by how — despite the focus on a the editing of a single manuscript — each paper had something unique to offer to the conversation. Joyce Coleman focused on the images in the manuscript, specifically those attached to Pearl, and persuasively argued that the illustrator sought to draw parallels between the dreamer/narrator of the poem and Narcissus as he appears in illustrations of Roman de la Rose. Kelsey Moskal asked that we try to find a way to avoid “sterilizing the manuscript reading process” by finding ways to acknowledge the subtle but significant markers, details, and ordination found in the manuscript itself as we produce critical editions. Elias Fahssi stressed the power of exploratory reading, and how faithful reproductions of the text assist in that process. Finally Arthur Bahr challenged our uses of punctuation when it comes to a poem like “Patience,” observing that the quatrain marks in the manuscript are important specifically because they are so difficult to interrogate. He argued that the marks, while not being puncti, suggest a certain kind of pause, which seems especially apt in this poem given its stress on the length of time it “takes humans to perform God’s will.” The inclusion of these marks, then, link readers to Jonah, reminding us that “we are bound in time, differing from Jonah only in degree, not in time.” In the end, Bahr offered up the possibility that we needn’t punctuate definitively, especially when it comes to a poem like “Patience” that seems to be playing with the kinds of pauses produced by such marks.

The conversation that sprang from these four papers was wonderfully lively, and we discussed, among other things, the ways in which we might reconcile all of these various needs and emphases when trying to produce accessible critical editions.  More than anything, I think the session really drove home the sacrifices that inevitably get made when trying to prepare these texts for modern readership, and it was gratifying to see so many people engaged in a discussion of how we can serve both the reader and the original text. To that end, I was very happy to hear later on at the conference that Kelsey and Elias will be taking on more active and official roles in the Pearl Poet Society — as contributors to the fantastic Cotton Nero A.x. Project, and in light of their illuminating papers, I can hardly imagine a better team!

I’ll save a discussion of the session in which I presented — “New Perspectives on Pearl” — for my next post (one that will include the actual talk), but all I’ll say for now is that I was tremendously grateful for the experience and for the feedback received both prior to and during the session itself.  I’m starting to experiment with ideas for a later project (once I get this first book off and away. . . god, if it were only so easy!), and I was so glad, as a result, to have this opportunity to present my nascent ideas for that potential work. More on that later though!

The last session I attended was BABEL’S Blunder panel, and what a delight it was! In some respects, the papers couldn’t have been further apart — with topics ranging from blunder in Beowulf, to the cruelty/inanity of blind peer-review evaluations, to the poetics of scribal blunders, to the poetics of our own conference papers/sessions, to the inception of Fumblr — hands down one of the most humanizing academic blogs I’ve yet encountered. I was struck by the beautiful discursiveness of these presentations, by their verve and energy, by their braveness. Those qualities extended into the lively conversation/debate that followed, one that focused for a time on the perils of blind peer-review. Eileen Joy made a particularly innervating statement about the problems with the current review system, problems that were made painfully clear in Maggie Williams and Nancy Thompson's presentation: that reviewers forget all too often that they’re dealing with human beings who have struggled hard to produce the work that they’re tasked with reviewing. If we are in the business of the humanities, she argued, then we need to start treating each other more humanely. This does not, as one person in the crowd worried, mean that we have to pull our punches when we review, or that we – as receivers of criticism – shouldn’t have a thick skin. Rather, as I offered in tandem with others, we owe it to ourselves (if we are really going to pride ourselves in our mastery of language) and to those whose work we review to write both effectively and humanely. Ultimately, I think that double-blind peer review can be essential to fair treatment in the realm of publishing (people are, for instance, presumably less likely to be discriminated against for a variety of unfair reasons), but as so many of the audience members and presenters stressed, it’s often rather easy to tell who is reviewing your work or who authored the piece you are reviewing. As such, the question remains as to how helpful this set-up actually is, especially when it seems to give so many people license to behave rather unhelpfully (not to mention rather poorly) because they can hide behind the mask of anonymity.

No Congress would be complete without a fair share of levity, and so it was all too fitting that I capped everything off by attending the Pseudo-Society with a merry band of friends. The papers were hilarious, and I especially loved the fact that they so freely poked fun at the conventions of the academic conference. It’s always good to be reminded not to take yourself or what you do too seriously, and the pseudo-society’s “talks” did a more than decent job of reminding us of that!

All in all, this was certainly one of the most fruitful and fulfilling conferences I’ve ever had the pleasure to attend, and I’m already looking forward to next year. As I’ve said throughout this post, attending the conference did a tremendous amount to boost my spirits and enthusiasm for what I do. It helped to remind me, in a series of truly profound ways, that I have made good decisions about my career (no matter what the screeds might say), and that while my life might be precarious and under a variety of intense pressures, it’s also full of electric opportunity. And so, in closing, I’d like to say thank you — a thousand times over — to all of the wonderful people at this conference who helped remind me of that.

Friday, December 21, 2012

The Most Interesting Man in Medieval Studies: Redux

As a sort of holiday gift to all our readers (that is, if you consider medieval jokes gifts and not afflictions), I decided to revisit a post I composed a little over a year ago. I realized that our most interesting man was sorely in need of some new accolades, and so I've provided the newest top ten below. Please add to the mayhem in the comments -- the more the merrier! I'm convinced we can't have enough of these.

And so, without further ado, I wish you all a happy holiday season and give you:


The Most Interesting Man in Medieval Studies . . . Redux. 


1. The MLA recently awarded him a prize for his translation of Piers Plowman   . . . into flawless Dothraki.

2.  Flashmobs the world over have popularized his interpretive dance of “The Complaint” (also known as "Hoccleve Style").

3. Students refer to any uncertainty on his part as “The Cloud of Unknowing.”*

4. He once travelled from the Syria to Northumberland by rudderless boat . . . just to see what it would feel like.

5. When he registers for a conference, he does so twice: once for himself, and once for his beard.

6. When he sleeps, Langland has a dream vision . . . about him.

7. Conferences are held annually to unpack his stirring analysis of Scandinavian rune sticks.

8.  His lectures on the absence of stirrups in Merovingian Francia regularly move audiences to tears.

9. He lulls his children to sleep at night by reading to them . . . from the 13th century Rolls of Parliament.

10. To protest Greenblatt’s most recent book, he will host an open bar at Kalamazoo 2013. Drinks will be shaken, not swerved.





*Many thanks to Kristi for the idea behind this one!